I forgot to mention yesterday that we are reading
Hamlet. The cast varies daily, so be prepared to participate: have throat sprays handy. We are in two different places depending on the class: 8-9 a.m. pp. 17; 9-10 pp. 27 where Hamlet exits.
We spoke about the Don't Snitch code, which was the topic of the 60 Minutes episode Sunday, April 22. Jose made brought in four songs to share about this phonomena. We talked about it again. He let me borrow the CD he made with music from Lil'Wayne: "Snitch," Millionaire: "No Snitchin'," MacDre: "Stool Pidgeon," and Young Turk: "Letter from that World." We listened to the first one in class. Here is the link: http://www.cbsnews.com/sections/i_video/main500251.shtml?id=2715238n
Listen to the debate at http://www.kpfa.org/archives/index.php?arch=19554
(Interview starts 7:25 minutes into stream)
If you're interested in joining the conversation please feel free to post comments here after looking at the
60 Minutes tape. This can be extra credit if you leave your name and site sources in your comment.
In both classes we spoke about Dr. Victor Frankenstein's guilt.
The question we will explore in the essay due Thursday, May 10 is: If Dr. Victor Frankenstein is guilty, what is he guilty of?We made a list of several crimes or errs in judgment. We also spoke about whether or not one could say that by the end of the novel if all the projections that Frankenstein had indeed created a monster were true. Was his creature a monster?
Was the same true of its creator?
The answer to both was yes. However, you don't have to agree. (I have a strong personality and its hard sometimes for students to disagree with me, but I encourage it.)
One could look at children who are stigmatized or receive prejudicial treatment simply because they are poor, the "wrong" race, or the "wrong" gender. These children are often called "bad," "worthless," or even worse and what happens? The same thing that happened to the "monster," over time this malevolent treatment or name calling becomes flesh.
The reason this is so is because the one calling the names is often the one the child respects and loves. Reflect on the early days of the "monster's" life, before he had language, before he could read, before he knew what it meant to have family, then reflect on the lessons he learned in society about compassion and acceptance of difference.
Think about the way Dr. Frankenstein looked upon the peasants who were his caregivers at the jail. He is an ungrateful wretch, to borrow his language. These attitudes were what his creature met in a society that was not comfortable with difference, even when the despised character was kind and gentle to you as the creature was to Felix's family. Not even gentle Elizabeth who cried in alarm when she saw the monster in her room, was able to see his beautiful, if scarred, heart.
Frankenstein has issues. Look at how his appearance is described by Walton. Whenever things got difficult for him he conveniently grew faint, passed out, was unable to function, reason, think. This behavior was not expected of a scientist who is regarded as the more rational of the species.
The doctor has trouble facing the reality of what he has done, he becomes almost insane, or maybe he is insane if what Steven King says is true regarding why we crave horror movies:
"I think we're all mentally ill. those of us outside of the asylums only hide it a little better--maybe not all that much better, after all. We've all known people who talk to themselves, people who sometimes squinch their faces into horrible grimaces when they believe no on is watching, people who have some hysterical fear--of snakes, the dark, the tight place, the long drop...and of course, those final worms and grubs that are waiting so patiently underground."
What does the "monster" fear? I think he fears living without love. I think Dr. Frankenstein fears what people think of him, more than he cares about the safety of his loved ones. He seems to take their love for granted until no one is left who cares about him one way or the other. As he chases the monster through the cold regions risking his life, he does so because the monster is the only one left who cares about him so they play the silly came of catch.
Funny how the creature gets his dad in the end, because in the end everyone needs someone who cares about them or at least acknowledges them. Hate is certainly a powerful acknowledgement.